Ottawa Tonite.com : Section Title

Posts Tagged ‘Nichole McGill’

Censored… right out #$*@#@ loud!

January 30th, 2011 by Bob LeDrew

Ottawa Tonite likes it when people create things. When creative people make books, poems, art, or music then the rest of us get to enjoy the fruits of their labours. Unless… their work is censored. And that happens a lot.

According to the Book and Periodical Council, which organizes Freedom To Read Week in Canada every year, more than 100 books in Canada have been censored or challenged in the last few years alone. And those books range from what you might expect to be challenged — queer literature, books dealing with the Israel-Palestine conflict — there are also some you might not expect to ever be the victim of censorship: Of Mice and Men, Harry Potter, or Wallpaper magazine.

In recent days, a version of Huckleberry Finn that deletes the “n-word” and the censorship of the Dire Straits song “Money For Nothing” have been in the news.

So, since Ottawa Tonite believes that each person should get to choose what he or she consumes, we’re organizing a cabaret of censored and challenged works. Come to Censored Out Loud at the Raw Sugar Café and join a motley crew (no, not Mötley Crüe) of writers, actors, and musicians as they celebrate Freedom To Read week by bringing some scandalous — and not so scandalous — works to life. Everything you’ll hear will have one thing in common, whether it’s Donna Summer or Margaret Atwood: the work has been censored or challenged.

Some of the people reading and playing on stage will be: Lisa Poushinsky, Nichole McGill, Jesse DangerouslyMegan Jerome, Jessica Ruano, Mike Essoudry, and many more. It’s gonna be fast-paced, fun, and a great way to celebrate the power of creative expression and the freedom to offend.

The show takes place Wednesday, February 23, 2011, starting at 8:00 pm at the Raw Sugar Café, 692 Somerset Street West. There’s a cover charge of $10 or what you can afford to pay and proceeds are going to go to PEN Canada, an organization that fights for the right to create and read.

We guarantee at least ONE thing to offend EVERYBODY. Spread the word. Loudly.

Censored Out Loud, February 23 at Raw Sugar Cafe

A loving ode to a Warrior Queen

January 25th, 2011 by Nichole McGill

The Warrior Queen: Chasing Boudicca
Thursday, January 20, 7:30 p.m.
National Arts Centre – Fourth Stage

I should have come earlier.

The salon-like Fourth Stage at the National Arts Centre was already packed with charming café tables, candle-lit, naturally. And all of the 30 or so tables had been claimed 15 minutes before “curtain rise”. It was sitting room at the back only. Even from there the view of the stage was clear and intimate.

Three women in shawls inscribed with Celtic patterns walked onto the stage. Musician Nathan Bishop played a Celtic drumbeat. The crowd was hushed.

Dave Cooper’s latest inspiration

November 10th, 2009 by Nichole McGill

When a pomegranate isn’t just a pomegranate

Painter and illustrator Dave Cooper might very well be Ottawa’s best known visual artist whose international reputation seems to, sadly for Ottawa, overshadow his local rep. His paintings of pillowy women that are, at once, erotic, innocent and can veer into the mildly disturbing, sell in New York, Los Angeles and Paris while his current hiatus from the graphic novel world is also mourned internationally.

In “Nice Ottawa”, his work is occasionally on display in “one-night stand” format at Ottawa’s black sheep of the visual arts scene, Galerie La Petite Mort or recently at the Ottawa International Animation Festival.

But perhaps his latest series will be found to be more palatable to the more conservative in Ottawa.

When a pomegranate isn’t just a pomegranate

Cooper’s latest mini-series could loosely be termed as “the erotic innocence of fruit”. Pomegranate A (below), B (left) and C (top) were originally conceived as a triptych with “A” being unabashedly lush, B” a balance of age and vitality and “C”, a literal balance of opposites.

Luckily for me, “Pomegranate C” is snapped up. (Yes, I’m the culprit. It was an extravagant birthday gift paid in sweat, paint and affection.)

Still, it’s worth following Dave Cooper’s visual arts site and sniff around the galleries in town to see if Dave will explore this new concept further or return to his “pillowy girls”.

Dave Cooper is accepting commissions. You can contact him at dave [at] davegraphics [dot] com.

Images all © Dave Cooper. Republishing available with permission.

How to Feed the Writing Muse

October 28th, 2009 by Nichole McGill
Photo by Colin Rowe

Photo by Colin Rowe

Last week, I moderated a session at the Ottawa International Writers Festival in the cabaret-style basement of Saint Brigid’s Centre for the Arts, stayed for the Plan 99 reading series 10th anniversary bash and lingered at a table of writers trading tales of what motivates us as writers, namely attending events like these. Here is just a brief overview of some of our “aha” moments:

 

  • David Small’s powerful tale of how presenting his memoir Stitches to his previously estranged brother mystifyingly transformed their relationship.
  • Jane Christmas and Catherine Gildiner argeeing it’s better to base your memoir on memories, not the research you do afterward (which you’re probably doing to procrastinate, anyway).
  • Elina Hirvonen explaining how her generation in Finland is better able to address the repercussions of civil and international conflict three generations post-Winter War. 
  • Dave O’Meara and LM Rochefort handing out wax-paper cups of champagne to toast 10 years of Plan 99 and business owners who support the arts in meaningful ways (read: with their wallets).
  • Struan Sinclair recounting the tragic consequences when you leave two bags of candy tied to a doorknob in Winnipeg and then get on a plane to Ottawa.
  • Getting the backstage intel on David Byrne’s and Nick Cave’s recent appearances at the festival (all gracious, all good).
  • rob mclennan and I trading stories of how so many international authors name Ottawa as their ideal city to read in because the audiences are informed and unpretentious. 

And finally, as an author, how it is so necessary to attend these types of readings and debates, how they feed you creatively far more than your average (often expensive) writing workshop. During Plan 99′s celebratory readings, when I wasn’t tweeting+ clever lines from the readers, I found myself compelled to sketch an entire a chapter for my next-next novel (the one in ethereal thought-to-first draft stage). Today, I’ll dive in and flesh out that sketch, that unexpected gift that you sometimes receive when you aren’t expecting it but are unintentionally feeding the muse.